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![]() Improved compatibility with Sapphire and Red Giant transition OFX plugins. In the Super Glow effect, the Grain Frequency setting now defaults to a value of 1.0.Īdded a user-friendly message when users attempt to render Quality proxies at incompatible resolutions.Īdded a user-friendly message when users attempt to export to H.264 with incompatible resolutions. You can opt-out at any time via File > Options > General (tab) > Allow analytics data to be gathered (checkbox) Updated the text in the DPI Scaling checkbox.Īdded support for macOS dark mode to the HitFilm installer.Īnalytics data is now being gathered to aid our understanding of how people interact with HitFilm. Project templates with a framerate of 59.94 are no longer marked as invalid. Software decoding in the HitFilm Pro demo now supports a wider range of H.264 files. Software decoding above 8-bit in the HitFilm Pro Demo is supported again for H.264 files. #Hitfilm pro 2017 lens flare modifications software# Performance proxies can now be created for a wider range of files in the HitFilm Pro Demo. Keyboard shortcuts now display correctly in dropdown menus on Mac systems. #Hitfilm pro 2017 lens flare modifications mac# Improved the accuracy of the frame which is shown when a clip is opened in the Trimmer. In the Trimmer, the Scale to Fit option is now available for images.Ĭreating a light no longer blocks the creation of masks. Text clips can no longer be added to locked video tracks.Ĭhanging the duration of a comp containing a published text layer no longer blocks that text layer from being edited. Transforming the X position of a layer from a tracked point no longer causes stability issues.Īpplying tracking info for a single position axis no longer affects both axes. Pre-renders that are no longer valid are now discarded, rather than showing an alert triangle. Improved performance of loading the Cache options panel when the cache is large. Keyboard shortcuts in the Viewer can now be used after creating a composite shot. Motion paths now update more accurately in the Viewer when the view is panned and when paths are edited. Motion paths now update more accurately in the Viewer when switching between timelines. #Hitfilm pro 2017 lens flare modifications mac#.#Hitfilm pro 2017 lens flare modifications software#.#Hitfilm pro 2017 lens flare modifications update#. ![]() Tackle the worst pink parts with the first instance and then the overall pinkish area with the second, or possibly vice versa. The fact that it leaves that slightly stripey effect indicates you might get more success with 2 instances in series. You might find you can uncheck "Limit luminance" completely and just control the mask with the hue and saturation. Once you have the mask, a quick improvement is to reduce the Saturation slider a lot, and then the Gain slider a bit until the luminance matches. ![]() Then click on "Show mask" and tweak the other parameters such as "Smooth" until you get a nice mask. ![]() I then dragged the 2 "High" sliders to the far right, to unlimit the maximum luminance and saturation. There is a long-standing bug whereby the rectangular marquee does not display as you select the area. I much prefer working with it in the Custom mode.įirst pick "Select effect range" and sample a part that includes the most saturated area of pink. You can tone down the pinks somewhat with the Color Corrector (Secondary), or even 2 of them in series:
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